Hammerfall DSP System
Notebooks/Laptops: User reactions, comments and tips

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Hans Ippel about the Compaq Armada E500

Thanks for the technical information about audio notebooks on the RME website. I'm looking forward to use the coming Hammerfall DSP packages to make sound recordings on my Compaq Armada E500 notebook. DVD-ready recordings finally become a reality with the DSP series, especially for sound-recording amateurs and small studios doing location recordings. In my case mostly two-track (and hopefully in future 6-channel surround) recordings of classical music and other live concerts.

Maybe I can give a positive contribution to the test of the E500 listed in the table of recommended and not-recommended notebook computers for use in audio applications. See this as a user report. I'm not responsible for possible damage caused by the following suggestions, but I feel that it may help a lot people struggling to get most out of their newly bought Compaq notebooks. All suggestions are tried out first-hand on my own E500 and are as such carefully analyzed.

First to show you my current E500 setup (bought in December 2000):

-Compaq Armada E500 with Windows98 (own upgrade to Windows 98SE)

-PIII-600 MHz Intel Speedstep CPU (processor power is not required for my tasks, long battery lifetime and low fan noise are more critical)

*14.1" XGA screen (1024x768)

-320 Mbyte RAM (Original 64 Mbyte SO-DIMM in second memorybank, own upgrade with extra 256 Mbyte module of Compaq-certified (is essential) memory in first memory bank. The DIMM slots are easy accessible, directly underneath the removable keyboard. Note that 256 Mbyte SO-DIMMs are quite expensive, but way less than typical Compaq brand name memory, which is really too expensive)

-12 Gbyte IBM DARA hard disk (two separate partitions made for system, 2.69 Gbyte and for audio, 8.53 Gbyte)

Other equipment (for the people interested):

-Mackie 1402 VLZ PRO mixer

-RME ADI-96 Pro A/D converter

-SONY and AIWA DAT recorders

-Opcode DATport connected to the USB port for digital I/O (Note that the standard Windows drivers support a maximum bit rate of 16 bit and a maximum sample rate of 48 kHz, whatever manufacturer's on USB audio devices may claim. For third-party, 24 bit capable ASIO drivers of most popular USB audio devices, go to http://www.usb-audio.com)

-Neumann TLM103 and DPA 4006 microphones

Windows98SE upgrade and fine-tuning of the Compaq E500:

As already mentioned on the RME site, the conclusion was that this notebook is not the best choice using the original Compaq setup. It's the same observation in my experience, because it is absolutely necessary to upgrade to Windows 98SE using a borrowed Microsoft Windows98SE CD and at the same time uninstall most of the Compaq pre-installed software in the start menu to get a fast and reliable computer. Nice story is that the designer of Compaq notebooks explicitly states in one of the Compaq support forums that the Armada E500 is a good design, but only after you have removed all Compaq software. Let's you think about the intention of this computer company towards buyers, but that's another story.

My E500 notebook is further fine-tuned for doing audio tasks, using the recommended Windows-tricks already mentioned on the RME and IQS websites. Most critical item is that DMA on the hard disk cannot be enabled in the Compaq setup, leading to significantly reduced disk throughput and noticeable audio glitching. After the Windows98SE upgrade the DMA option becomes available to be enabled and the sluggish behavior disappears. Sustained transfer rates for the disk now become 12.5 and 10.5 Mbyte/sec for resp. read and write mode on a clean partition, both measured with the SAW HDspeed program. The values are quite respectable for a smaller 4200 rpm 2.5" IBM hard disk. The Norton Utilities 2001 system benchmark of the computer running at 600 MHz now measures a value of 320.2, close to the value for a typical P-III 600 MHz desktop computer.

In the original installation the transfer rates were something like 1.5-2.0 Mbyte/sec (!) with heavy glitching occurring whenever audio data was written in bursts to the hard disk. RME has reported the same thing for their computer test, the E500 test model runs at crawling speed, despite being equipped with a 1 GHz Pentium processor. It is obvious that the factory settings, together with the standard 64 Mbyte (or nowadays 128 Mbyte) memory, results in an extremely sluggish machine not worth to consider for audio recording, let alone to run office applications. The bottleneck on the speed issue is logical, because almost every computer action runs via a virtual memory disk file where data are moved in and out of swap at very slow (<2 Mbyte/sec) speeds. A faster processor wouldn't help you in that case. User reports however indicate that, after enabling the Windows98 DMA function, it is not possibly anymore to hotswap the CD-rom or DVD reader for a second hard disk. But with bigger and cheaper Firewire hard drives to come, it looks more convenient to add a second, and easy replaced, 80 Gbyte Firewire audiodrive to your notebook computer. Big advantage of FireWire is that you can swap the audio disk containing the recordings to another editing computer within seconds. Transfer of the audio files over 100Mbps ethernet cards looks fast on paper, but in practice it would still take a massive 2 hours to copy a 6-channel 24bit/96kHz multitrack recording of a total size of 8 Gbyte from your notebook to another computer.

Windows98 Memory tricks:

To maximize the use of the (expensive) notebook memory, the line ConservativeSwapFileUsage=1 is included in the [386enh] section of the Windows system.ini file to emulate Windows95 behavior. This does miracles to Windows98 computers, because the memory manager is forced to consume physical memory first, before consuming the slower virtual memory page file. Although approximately 106 Mbyte of my 320 Mbyte physical memory still remains unavailable to Windows98, once the (fixed) swap file has finally been put into action by the operating system above ca. 65% of memory usage. Nevertheless, the physical memory, with Windows95 emulation switched on, has been more efficiently utilized than without the extra line in the system.ini file. In that case the swapfile is already partially used at startup time under a memory load of a mere 50 Mbyte, necessary for Windows drivers and other startup utilities. This type of memory mismanagement in Windows98 is normal I'm afraid, even with 256 or 320 Mbyte RAM installed (very bad design of Windows98, blame Microsoft).

Restoring wrong icons on the desktop view:

Note that it also important for the E500 to manually increase the Max Cached Icons string value from zero to some high value. Still don't know for sure if this originates from the Compaq setup, but it caused problems in the correct display of graphic icons linked to Windows-defined file extensions. In my case the cache was standard set to 0, meaning that Windows occasionally freezes, because of a slow graphic refresh of icons and associated links on the desktop view. The higher cache setting adequately solves the icon problems and also prevents the small Windows interruptions, normally disastrous for time-critical audio streams during digital recordings. Before the cache change recordings ran fine using the DATport, except that at the start of the recording and on average once in every 20 minutes a random small dropout in the recorded file occurred. After the change in the Icon settings >90 minute digital recordings over the DATport are now bit-by-bit identical to parallel-made DAT recordings.

For details on wrong associated icons see Windows question Q132668:
Icons Randomly Change to Different Icons
Using Registry Editor, add the Max Cached Icons string value with a value data of 200-500 to the following registry key
HKEY_LOCAL_MACHINE\Software\Microsoft\Windows\CurrentVersion\Explorer
and then restart your computer. The Max Cached Icons value data range is between 100 and 2000. The default value is 500.

Battery power vs external power supply:

As a last point RME may consider the quality of the included power supply in the technical recommendations on notebooks. For now I recommended the use of battery power for critical audio recordings on notebook computers. E.g. the universal power supply of the Compaq E500 produced a nasty ground loop problem in one particular case, resulting in electrical interference on the mainpower and rattle-hum sounds on connected audio equipment. Quickly plugging in the external power supply adapter into a 240 Volt wall socket seems also dangerous. It happens occasionally that a big blue arc sparks out upon connecting the 240 Volt net cable to the adapter and if you're not careful the chances are pretty high that you electrocute yourself by grabbing the extension cable too close to the adaptor. You don't read THAT in the manual! But all in all, this is not a good sign for the presence of well-designed electronics inside the external power adapter. Big question here: is it useful to look for another, more audiophile oriented (read non-switching) power supply for notebooks ?

Build-in ESS Maestro soundcard and tips to reduce ambient noise levels

By the way, here is a extra tip to improve ambient noise levels generated by the E500.
The acoustic background noise level of the E500 notebook can be reduced more than twofold by short-circuiting the path from end-amplifiers to the build-in computer speakers. Simply use a simple stereo miniplug inserted into the line-out/headphone output, which action effectively blocks the constant annoying hissing sound (S/N ratio of -30 dB or so) emitted by the ESS Maestro soundcard speaker-amplifier (very bad design). Strangely enough, the sound over the line-out/headphone output is instead noisefree, relatively powerful and of reasonable good quality for headphone monitoring. With the Hammerfall DSP break-out box the build-in (high-quality) headphone output would be preferred over that of the simple ESS soundcard, but it remains a nice alternative that allows the user to mix and edit with only the combination of the notebook and a single headphone. In fact, the ESS soundcard permits playing of 96 kHz and 24 bit recordings over its output in programs like Cool Edit Pro and Soundforge 5.0, retaining fair quality. It is therefore not necessary to first resample soundfiles to lower bit-depths and sample rates before playing high-resolution recordings over the Maestro soundcard, as for these programs the resampling is done on the fly.

To come back to the internal soundcard and the two speakers in the E500. Muting the speakers is also very useful to prevent the inevitable warning beep sounds when the notebook is running low on battery power. The warning beeps are controlled in the BIOS and difficult to circumvent by software. The volume and mute buttons in the mixer applet don't work to make the beep silent, so keep a 3.5 mm miniplug inserted to avoid the nice and loud beep sounds at recital concerts. Low battery indication on the E500 starts as soon as the accu reaches 13% capacity, however you can go down to 3% power reserve before you're seriously have to think about shutting down your computer. A tip here: please calibrate your battery in the Compaq setup first before upgrading the operating system, otherwise I cannot guarantee a correct calculation of the remaining power indication on the E500.

Conclusion:

In conclusion, the E500 does its job quite well after the software upgrade and applying other tricks. Please blame the Compaq software for poor performance, it's not because of inferior computer peripherals inside.

I hope that these observations on the E500 computer may help other people to choose a suitable notebook and to lift the reputation of this particular computer model. The advantages of the Compaq E500 are:

- its relatively low price (save money by choosing the cheaper lower-end CPU models, and spend the rest of the money to stick more memory in)

- the sharp and bright LCD screen

- the combined fast ethernet/modem connection

- the possibility to run on three internal batteries (not used so far)

- the possibility of attaching dual mouse devices (simultaneous use of the touchpad and a PS/2 Logitech three-button mouse is possible; no switching is required for the mouse driver, the PS/2 external mouse can be plugged in at any time on a running computer, like it was a USB device)

- the low acoustic ambient sound level running in battery mode (the most obvious acoustic sounds are the ticking disk-arms in continuous write mode, the sound level produced depends on the used recording software and associated disk caching routines, but is harmless for most recording applications)

- long battery lifetime; >3.5 hours in standard mode (e.g. text-editing) and approx. 2 hours with the processor running at full blast on 500 MHz speedstep (100% CPU usage in my favorite multitrack program SAWPRO)

- the possibility to put in a maximum 512 Mbyte of RAM (essential for memory hungry applications such as Gigasampler and SAWStudio)

Note that even with a modest 500 or 600 MHz processor running at 100% raw CPU power during two hours, the buildup of excess heath (despite maximum fan speed) can transform your notebook into a suitable device to quickly defrost pizzas on. Be warned to apply 100% CPU power on notebooks with >1 GHz Pentium processors for long extended times without taking actions to limit overheating, e.g. placement of the computer on a aluminum plate/heatsink or by lifting the notebook from the (insulated) table, c.q. putting it on four small blocks to increase airflow underneath the notebook.

The big disadvantage of the E500 remains the fact, that by fine-tuning your E500 computer to gain optimum performance, the system becomes quite modified and for that reason the prospect that Compaq still gives warranty on your computer is not high.

Whatever the choice of notebook will be, now it is only waiting for the coming revolution in mobile recording with the Hammerfall DSP series of RME.

Written on June 12th, 2001
by Hans Ippel

Hippo Records
The Netherlands

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